Victoria Meyers architect, hanrahan Meyers architects, presents shade, shadow and form, related to the firm's works at Won Buddhist Retreat, DWi-P, and the works of Iannis Xenakis.
Above: Porch at Won Buddhist Retreat, hMa, 2014: Cedar Screen design based on variable spacing - to reflect the wooded condition of the site: Infinite Bleed of Edge
Above: La Tourette Windows : Window Patterning based on Iannis Xenakis sound composition, and geometric ideas formulated in the Modulor, with Le Corbusier. These forms were later transcribed into sound by Xenakis in his composition, Metastasis.
DWi-P by hMa, hanrahan Meyers architects. A frameless glass facade, where a frit pattern is generated by a sound score by New York composer Michael J. Schumacher: WaTER. To hear WaTER, visit the hMa website: www.hanrahanMeyers.com.
Above: Water, by Karen Gunderson.
Meyers explores themes linking Water, lines, form, shadow, and light in her new book, Shape of Sound available here: http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=victoria%20meyers%20shape%20of%20sound
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